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Pete Droge has been working his claim long enough to see the difference. Rock) Three Degrees (Disco) Three Dives (Club) Three Dog Night (Soundtrack) Three Drives (Club) Three Drives On A Vinyl (Trance) Three Factors (Eurodance) Three Fish (New Wave) Three Inches Of Blood (Thrash Metal) Three Point Turn (Hardcore) Three S.T.P. Fool’s gold or the real thing, it doesn’t matter as long as it shines. Three n One (House) Three 6 Mafia (Rap) Three Days Grace (Alt. But instead of a hook, the chorus rides a rising melodic wave that lifts you up and carries you away, providing the song with transport rather than mere punctuation.Ĭommercial radio no longer grasps such distinctions. It rocks like a bomb as Peter Stroud’s “Kashmir”-styled guitar pulls you into the maelstrom. Unfortunately, it comes dressed in saccharine arrangements and clunky wordplay that suggest Droge’s heart belongs to the rockers.įor my money, the driving, almost X-like “Evan’s Radio” does the best job on the new disc of synthesizing Droge’s estimable gifts.
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But for those moved by the hushed confessionalism of “Sooner Or Later” from Find A Door, the coliseum crunch of “Miles Of Fence” and two-ton hook of “Motorkid” may seem out-of -scale.ĭroge does show his more singer-songwriterly side on the new disc (“Blindly”, “Blink Of A Kiss”). Those who found “If You Don’t Love Me ( I’ll Kill Myself)” from Necktie a bit light will welcome the barbed-wire guitar and Stonesy hoodoo of “Please The Ghost”. How fans will react to Droge’s latest is another question. It’s got hooks to land Moby Dick and a swirling, psychedelic vibe that’s as much Floyd as Beatles. I don’t know how this influenced Droge’s latest, Spacey And Shakin, but it’s very much a Big Rock record with huge guitars, huger drums and vocals flanged to infinity. A young guy named Dylan (Jakob, that is) exercised his rights of primogeniture, hitting the motherlode with a classic-rock sound that drew by millions the very audience Droge had been seeking. Though lacking the standout singles of Necktie, his sophomore effort’s muscular attack and spare tunefulness made a case for Droge as heir apparent to the classic-rock crown.Ī funny thing happened on the way to succession. In 1996, as faux-punk slumped and the alternative juggernaut began to sputter, Droge toughened up his sound with the less-roots, more-rock Find A Door. Grunge was the rage, and Droge’s fresh-faced heartland pop and soulful roots ballads couldn’t have been further out of fashion. Toda na Japonskem je e vedno dovolj velik, da je tja priel posnet serijo reklam za viski. In 1994, when Pete Droge released his debut, Necktie Second, the post-Petty roots-rock claim he staked was pretty much virgin real estate. Singer/songwriter Pete Droges career was helped immeasurably by his friendship with Pearl Jam guitarist Mike McCready. Bob Harris (Bill Murray) je vse v eni osebi - moki v krizi, mo v krizi, Amerian v krizi in filmski zvezdnik v krizi.